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I began studying the figure classically, through old master
techniques, such as egg tempera painting, clay and stone sculpture, or
silver point and sepia ink drawings. I experimented with abstract welded
steel, but I always had a fascination with Renaissance artists,
especially Dürer
and Michaelangelo. Although I have worked in more
contemporary media, it is the older materials and techniques that have
sustained my interest. Like the American Artists Paul Cadmus, and Thomas
Eakins before him, I have an appreciation for the male figure. I
haven’t fully pursued this subject to exhaustion, and I am still
challenged and inspired by the human form.
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